February 11 - March 10, 2012


For Sweet Relief, Palladino utilizes sculptural relief to create painted objects that defy easy narrative understanding and categorization. Enamel coated plaster casts are made from commercial chocolate molds of nude figures, fruits, and assorted domestic objects.  Both pre-fabricated and meticulously hand-made, Palladino repurposes these molds to produce sculptural reliefs that make visual reference to his paintings but extend literally into three dimensions.  His deadpan reproduction of banal objects made twice functionless, removed by two degrees of separation from their original state as "familiar things," highlights Palladino's brand of dark humor that is an undercurrent of all his work.  Because the molds themselves are made specifically for chocolate making (for making objects to be eaten), the resulting casts also function as a playful critique of the tenuous relationship between the artist as producer and the viewer or collector as consumer.  Drawing upon the interplay between high and low-brow cultural production, "Sweet Relief" explores the histories of the ready-made and the hand-made, the naive and the sophisticated, painting and sculpture, and the infinite potential in between.