Born: 1971, Farmington, Missouri
Lives: ST. Louis, Missouri

EDUCATION

• 1994
• M.F.A. Washington University, St. Louis, MO, Printmaking

• 1993
• B.F.A. Southern Illinois University at Carbondale, Drawing

SOLO EXHIBITIONS

• 2009
• The Transformation of Brandy Baghead & Other Evil Delights, Baer Ridgway Exhibitions, San Francisco, CA

• 2007
• The Bloody Bucket, Sherry Leedy Contemporary Art, Kansas City, MO
• Two Weeks in August and The Bloody Bucket, Daum Art Museum, Sedalia, MO
• The Bloody Bucket, Philip Slein Gallery, St. Louis, MO

• 2005
• The Bloody Bucket and Other Work, David Krut Art Projects, New York, NY
• The Bloody Bucket, Aron Packer Gallery, Chicago, IL
• Freaky Fables from the Foothills, Marianna Kistler Beach Museum of Art, Manhattan, KS
• Prints by Tom Huck, Mcneese State University, Lake Charles, LA

• 2004
• Obsessive Masters, Marguerite Ostricher Fine Arts, New Orleans, LA

• 2003
• 14 Rural Absurdities, Grinnell College Art Museum, Grinnell, IA
• Woodcuts by Tom Huck, Big Cat Gallery, New York, NY

• 2002
• Tom Huck Recent Work, The Sheldon Art Galleries, St. Louis, MO

• 2001
• Woodcuts by Tom Huck, Arena Gallery, Chicago, IL
• Gouging Tradition, Slugfest Printmaking Workshop/Gallery, Austin, TX
• The Rural Absurdities of Tom Huck, St. Louis Art Museum, St. Louis, MO
• Woodcuts by Tom Huck, Elias Fine Art, Boston, MA
• Woodcuts by Tom Huck, Cumberland Gallery, Nashville, TN
• 2 Weeks in August: 14 Rural Absurdities, Merwin and Wakeley Gallery, Illinois Wesleyan University,  Bloomington, IL
• The Woodcuts of Thomas Huck, Midwestern State University, Wichita Falls, TX

• 2000
• Woodcuts by Tom Huck, Landfall Press Gallery/Villani Editions, New York, NY
• Thomas Huck: 2 Weeks in August, Elaine L. Jacob Gallery, Wayne State University, Detroit, MI
• The Woodcuts of Thomas Huck, Rudolph E. Lee Gallery, Clemson University, Clemson, SC
• Fourteen Really Big Woodcuts by Tom Huck, Gallery V and Associates, Kansas City, MO

• 1999
• Thomas Huck Woodcuts, Forest Park Community College Gallery, St. Louis, MO
• 14 Rural Absurdities by Tom Huck, Rockhurst Center for the Arts and Letters, Massman Gallery, Kansas City, MO

• 1997
• 2 Weeks in August: 14 Rural Absurdities, Stephens Museum, Central Methodist College, Fayette, MO

GROUP EXHIBITIONS

• 2008
• Ready, Set, Go! Baer Ridgway Exhibitions, San Francisco, CA

• 2007
• Political and Poetical-14th Tallin Print Triennial, Kumu Art Museum, Tallin, Estonia
• Devils and Beasts, The Art Center, Highland Park IL
• Americana, Jonathan Ferrara Gallery, New Orleans, LA
• Ample Proof, University of Nevada, Las Vegas, NV
• New Prints, International Print Center, New  York, NY
• Printmatters, 5IVE & Forty Gallery, Winston-Salem, NC

• 2006
• New Prints 2000-2006: A Benefit Exhibition, International Print Center, New York, NY
• Social Commentary In Black and White, Center of Creative Arts, St. Louis, MO
• Contemporary Masterworks, Contemporary Art Museum, St. Louis, MO

• 2005
• Big Rock Candy Mountain, Roq La Rue Gallery, Seattle WA
• Chopmark II, Carthage College, Kenosha, WI
• Italian and American Prints, Italian Cultural Institute, Washington, DC
• The Art Of Blab!, Luzerme, Switzerland
• Anthropology in Print, UTA Art Gallery, University of Texas- Arlington
• Weirdo Deluxe,(traveling exhibition to venues in Key west, FL, New Orleans LA, and Los Angeles CA)

• 2004
• Artists Interrogate: Politics and War, Milwaukee Art Museum, Milwaukee, Wisconsin
• IV International Trienniale of Gravure, Evora, Portugal
• The Krampus and Christmas, Copro Nason Gallery, Culver City, CA
• Summer Show, The Morgan Gallery, Kansas City, MO
• Outlaws of American Prints, Big Cat Gallery, New York, NY
• Recent Acquisitions, Minneapolis Institute of Arts, Minneapolis MN
• Graphic Diversity: 500 Years of Printmaking, Museum of Art and Archaeology, University of Missouri-Columbia
• American Woodcuts Today, University Place Art Center, Lincoln NE
• Preview/Benefit Exhibition, Anchor Graphics, Chicago, IL

• 2003
• On Being Human, Whitney Museum of American Art, New York, NY
• Woodcuts, Anchor Graphics, Chicago, IL
• Politics as Usual, Aron Packer Gallery, Chicago, IL
• Prints in Process, Parkland College Art Gallery, Champaign, IL
• Holiday Show, Big Cat Gallery, New York, NY

• 2002
• New Prints 2002/Autumn, International Print Center, New York, NY
• Big and Beautiful/Process in Printmaking, H&R Block Artspace, Kansas City Art Institute, MO
• Landfall Press: Recent Prints, Milwaukee Art Museum, Milwaukee, WI
• Sum of the Parts, Spencer Museum of Art, University of Kansas, Lawrence, KS
• 3rd International Print Triennial, Frederick R. Weisman Museum, Minneapolis, MN
• Landfall Press Editions, Jack S. Blanton Museum of Art, University of Texas, Austin
• Americana, Roq La Rue Gallery, Seattle, WA
• American Prints, Georgia State University, Macon, GA
• Rituals, Detroit Artists’ Market, Detroit, MI

• 2001
• Ink, Paper, and Wood, St. Louis Art Museum, St. Louis, MO
• Black and White, Jean Albano Gallery, Chicago, IL
• Biennale Internationale d’Estampe Contemporaine de Trois-Rivieres, Trois-Rivieres, Quebec, Canada
• New Editions, International Print Center New York, New York, NY

• 2000
• Midlands Invitational, Joslyn Art Museum, Omaha, NE
• Contemporary Impressions, Mesa Arts Center, Mesa, AZ
• Unusual Story Tellers, University of Windsor Gallery of Art, Windsor, Ontario, Canada
• Recent Gifts to the Collections, Ashby/Hodge Gallery of American Art, Central Methodist College,>Fayette, MO
• Frogman’s Press and Paper Workshop Faculty Exhibition, University of South Dakota Art Gallery,Vermillion, SD
• SLOP art catalogue/exhibition, Kansas City, MO

• 1999
• From Kandinsky to Corneille-Linoleum in 20th Century Art, Cobra Museum of Modern Art,
• Amsterdam, Netherlands
• Durer’s Echo: Five Centuries of Influence, Spencer Museum of Art, University of Kansas Lawrence, KS
• Figuring the Human in 20th Century Art, Museum of Art and Archaeology, University of Missouri Columbia, MO
• Three Suites: Huck, Novone, Subtler, Mulvane Museum of Art, Washburn University, Topeka, KS
• Another View: Seleceted Works from Contemporary American Printmakers, Saddleback College Art Gallery, Mission Viejo, CA
• Los Angeles Printmaking Society’s 15th National Exhibition, Lamar Gallery, Loyola Marymount University, CA
• Reading Blake: A Portfolio of Prints, The Printmaking Council of New Jersey, Somerville, NJ
• From the Pumphouse Gallery, Pumphouse Regional Arts Center, LaCrosse, WI

• 1998
• 27th Bradley National Print and Drawing Exhibition, Heuser Art Center, Bradley University, Peoria, IL
• Contemporary American Prints, Ball State University Art Museum, Muncie, IN
• The Murder Portfolio, Isis Gallery, University of Notre Dame, South Bend, IN
• Printmakers ’98, Pittsbergh Center for the Arts, Pittsburgh, PA
• University of Massachusetts Amherst National Juried Print Invitational, Herter Gallery, Amherst, MA
• Clemson National Print and Drawing Exhibition, Clemson University, Clemson, SC
• Paper in Particular, Columbia College, Columbia, MO
• In Relief, Hastings College, Hastings, NE (Exhibition travels to University of Nebraska-Lincoln, Nebraska Museum of Art, Omaha, NE)
• The Printmaking Council of New Jersey’s 24th Annual Juried Member’s Exhibition, Somerville, NJ
• 15th National University of Dallas Print Invitational, Haggar University Gallery, Irving, TX

• 1997
• Pervasive Impressions: Contemporary Political Prints, The Center for Research in Contemporary
• Art, University of Texas-Arlington, TX
• Pressed and Pulled VI, Georgia College and State University, Milledgeville, GA
• The Print Show, A.C.T. Gallery, Detroit, MI
• Conversations in Black and White, Legacy Art and Bookworks, Columbia, MO
• The 3rd Annual Contemporary American Printmaker’s Renaissance Exhibition, The Rolling Stone Press, Atlanta, GA
• The Democratic Print (CD-ROM interactive installation version of the exhibit), Wright State University Galleries, Dayton, OH

• 1996
• The Really Big Kitsch Show, St. Louis Design Center, St. Louis, MO

• 1995
• On and Off the Bed: An Exhibition of Washington University in St. Louis Printmakers, Pierce Arrow Gallery, St. Louis, MO

• 1994
• 38 Hands, Pierce Arrow Gallery, St. Louis, MO

• 1993
• The B Movement, Vergette Gallery, Carbondale, IL

AWARDS/HONORS/COMMISSIONS

• 2004
• BLAB! Vol. 15, Fantagraphics Book, Seattle, WA, Monte Beauchamp, ed.

• 2003
• Blab! Vol. 14, Fantagraphics Books, Seattle, WA, Monte Beauchamp, ed.

• 2002
• MCA Records, album cover design/artwork, The Roots—Phrenology

• 2001
• Nelson Atkins Museum of Art Print Society Commission, Kansas City, MO

• 1999
• Linoleum cut commission, American representative in the exhibition From Kandinsky to Corneille,
• Linoleum in 20th Century Art, Sponsored by Stichting, Onderneming and Kunst, Amsterdam, Netherlands
• Jurors Award, Contemporary Impressions, Mesa Arts Center, Mesa, AZ

• 2000
• Artist in residence, Cite Internationale des Arts, Paris, France
• Woodcut commission, Landfall Press, Chicago, IL
• LAPS Foundation Award for the collection of the Grunewald Center for the Graphic Arts, Armandhammer Museum
• Q-Tech Corporation Purchase Award, LAPS 15th National

• 1998
• Van Zante Visiting Professorship in the Visual Arts, South Dakota State University, Brookings, SD
• Juror’s Award, Printmakers ’98, Pittsburgh Center for the Arts, Pittsburgh, PA
• Best of show, Clemson National Print and Drawing Exhibition, Clemson, SC
• Juror’s Award, Printmaking Council of New Jersey’s 24th Annual Member’s Exhibition, Somerville, NJ

• 1997
• Purchase Award, 15th University of Dallas Print Invitational, Irving, TX

• 1994
• Best of show, 1st Annual People’s Choice Award Exhibition, Southern Illinois University Museum,
• Carbondale, IL

LECTURES / VISITING ARTIST / WORKSHOPS / RESIDENCIES

• 2007
• School of the Museum of Fine Arts, Boston, MA
• Missouri Western University, St. Joseph, MO
• Robert Blackburn Printmaking Workshop, New York, NY
• Cleveland Institute of Art, Cleveland OH
• Metropolitan State College, Denver CO
• Landfall Press, Santa Fe, NM

• 2006
• University of Wisconsin-Madison
• Edinboro University, Edinboro, PA

• 2005
• McNeese State University, Lafayette, LA
• University City High School-COCA, University City, MO
• Community School, Ladue, MO
• University of North Carolina, Chapel Hill, NC
• School of the Museum of Fine Arts, Boston

• 2004
• University of Kentucky, Lexington, KY
• University of Missouri, Columbia, MO

• 2003
• Cranbrook Academy of Art, Detroit, MI
• Grinnell College, Grinnell, Iowa
• Memphis College of Art, Memphis, TN

• 2002
• Artist in Residence, Milwaukee Art Museum, Milwaukee, WI
• Murray State University, Murray, KY
• California State University, Long Beach, CA
• Lawrence Lithography Workshop, Lawrence, KS

• 2001
• University of Texas-Austin, Austin, TX
• Herron School of Art, Indianapolis, IN
• Kansas City Art Institute, Kansas City, MO
• Manhattan Graphics Center, New York, NY

• 1999
• Woodcut Workshop, Frogman’s Press, University of South Dakota, Vermillion, SD
• Guest Lecturer, Mulvane Museum of Art, Washburn University, Topeka, KS
• Guest Lecturer, Clemson University, Clemson, SC

• 1998
• Visitor in the Arts, University of Windsor, Ontario, Canada
• Guest Lecturer, Wayne State University, Detroit, MI
• Fick/Huck Relief Print Marathon, Washington University, St. Louis, MO
• Visiting Artist, The Art Institute of Chicago, Printmaking Area
• Visiting Artist, Northern Illinois University, Dekalb, IL
• Relief Printmaking Workshop, Museum of Art and Archaeology, University of Missouri-Columbia, MO
• Guest Lecturer, University of South Dakota, Vermillion, SD
• Visiting Artist, Sutton-Hoo Press, University of Wisconsin-LaCrosse, WI
• Visiting Artist, University of Kansas, Lawrence, KS

• 1997
• Visiting Artist, University of Texas, Arlington, TX
• Guest Lecturer, Lincoln University, Jefferson City, MO
• Guest Lecturer, University of Missouri-Columbia Art Appreciation Sections, MO

• 1995
• Visiting Artist, Jefferson Community College, Hillsboro, MO

SELECTED BIBLIOGRAPHY

• 2006
• Bonetti, David, “Blood Work: Tom Huck Draws a Bloody Bucket”, Get Out, St. Louis Post Dispatch, January  5
• Bonetti,  David,  “Making the Cut”, St. Louis Post-Dispatch, January 19
• Friswold, Paul, “Bloody Art!”, Riverfront Times, January 5

• 2005
• Johnson, Ken, “Tom Huck: The Bloody Bucket Series”, New York Times, October 7
• North, Bill, “Freaky Fables From the Foothills, Marianna Kistler Beach Museum of Art
• Publications, Manhattan, KS (exhibition catalogue)
• Camper, Fred, “Tales From the Bloody Bucket”,  Chicago Reader, March 11
• Lieber, Katherine, “Tom Huck: The Bloody Bucket”, Art Espresso, Artscope.net (Chicago, IL)
• Finch, Liberty, “Tom Huck at Rogue Buddha Gallery”, Pulse of the Twin Cities, Minneapolis, MN Oct. 13
• Wojahn, Mark, “Beautiful Monsters, Chris Mars “Subderma” and Tom Huck’s
• “Bloody Bucket”, Oct. 30, MNARTISTS.org (Minneapolis, MN)
• Kurtz, Katie, “Reaching for the Light: Bothered and Bizzare Figurative  Art,  The Stranger, Seattle, WA July

• 2004
• MacCash, Doug, “Dark Humor makes Huck a print world star”, The Times Picayune, February 27 (New Orleans LA)
• Bookhardt,  D. Eeric, “American Gothic”, Gambit Weekly, January 20 (New Orleans, LA)

• 2002
• Kushner, Marilyn, “The Lure of Diversity: New Prints 2002 Autumn Essay”, International Print Center New York, (exhibition essay)

• 2001
• Hirsch, Faye, “Gouging Tradition: The Woodcuts of Tom Huck,” Art on Paper, July/August
• Ralli, Tania, “American Gothics: A Tour of Tom Huck’s Gallery of Grotesques,” Chicago Journal, November 15
• Stein, Lisa, “Tom Huck’s woodcuts,” Chicago Tribune, November 23
• Duffy, Robert, “Ink, Paper, Wood,” St. Louis Post Dispatch

• 2000
• Temin, Christine, “Huck Mines Hometown Lore in Otherworldly Woodcuts,” The Boston Globe, Living Arts, November 8
• Harris, Dwayne, “Art Offers Skewed Glimpse of Missouri Town,” The Wichitan, September 20, p.5
• Sweeten-Schults, Lana, “Freaky Fables,” Times Record News, September 22, p.3
• Mcnally, Molly, “Illustrating the Inner and Outer Experiences,” The Reader, June 7, p.37
• Wolgamutt, L. Kent, “Paper Works,” Lincoln Sunday Journal Star, June 18, p. 16h
• Hay, Chris, “Paper World,” Omaha Weekly, May 18, p.3
• Hemelrijk, Liesbeth, “From Kandinsky to Corneille: Linoleum in the Art of the 20th Century,”
• Grapheion, Number 13, issue 1, Kunst and Antiek Revue, January/February
• Goddard, Steve, “Durer’s Echo: Five Centuries of Influence,” Explore, Vol. 1, No. 2 (E-zine),
• Spring, University of Kansas-Lawrence Center for Research, Inc.
• Bostick, Alan, “3 Artists Shine at 3 Galleries,” The Tennessean, Arts and Entertainment, March 5
• Working Proof, “The Hog Scalders,” Art on Paper, March-April 2000, p. 68

• 1999
• Van De Velde, Paola, “Linoleum Huisvlijt Onstegen,” De Telegraph, December 24 (T15)
• Tysh, George, “Primeval Dead,” Detroit Metro Times, June, p. 6
• Thornson, Alice, “Woodcut artist crafts twisted images of rural life,” Kansas City Star, Arts Preview

• 1998
• Student Perspectives on Contemporary Printmaking, CD-ROM published by the Printmaking Department at Ohio University, Athens, OH
• “Better Late Than Never,” The Riverfront Times, p. 20
• Barton, Drew, “Printmaking in Potosi,” The Columbia Missourian, June 28, p. 4A
• Schroeder, Ivy, “The Year in Art,” The Riverfront Times, December-January, p. 21

• 1997
• “Douglas Dowd/ Thomas Huck,” Contemporary Impressions, The Journal of the American Print Alliance, Spring Issue, p. 12-15
• Austin, John, “Right Between the Eyes,” Arlington Star Telegram, p. 1-2
• The Democratic Print: A National and Historical Survey of Contemporary Relief Prints, CD-ROM
• published by Wright State University Art Galleries, Dayton, OH

COLLECTIONS

• Whitney Museum of American Art, New York, NY
• Fogg Art Museum, Harvard University, Cambridge, MA
• New York Public Library, New York, NY
• The Art Institute of Chicago, Chicago, IL
• Minneapolis Institute of Arts, Minneapolis, MN
• Milwaukee Art Museum, Milwaukee, WI
• St. Louis Art Museum, St. Louis, MO
• Nelson Atkins Museum of Art, Kansas City, MO
• Mary Leigh and Block Museum of Art, Northwestern University, Evanston, IL
• Michael C. Carlos Museum of Art, Emory University, Atlanta, GA
• Armandhammer Museum, Grunewald Center for the Graphic Arts, Los Angeles, CA
• Spencer Museum of Art, University of Kansas-Lawrence, KS
• School of the Museum of the Fine Arts, Boston, MA
• Jundt Art Museum, Gonzaga University, Spokane, WA
• Marianna Kistler Beach Museum of Art, Kansas State University, Manhattan, KS
• Daum Museum of Art, Sedalia, MO
• Ulrich Art Museum, Wichita State University, Wichita, KS
• Topeka Public Library, Topeka, KS
• Western Michigan University, MI
• Kresge Art Museum, Western Michigan University, MI
• Belger Foundation, Kansas City KS
• Purdue University, IN
• Grinnell College, Grinnell, IA
• Stadtische Galerie Bietigheim-Bissengen, Stuttgart, Germany
• Mulvane Museum of Art, Washburn University, Topeka, KS
• Museum of Art and Archaeology, University of Missouri-Columbia, MO
• University of Iowa Special Collections, Iowa City, IA
• Kansas City Art Insitute, Kansas City, MO
• Northern Illinois University Art Museum, Dekalb, IL
• Ashby/Hodge Gallery of American Art, Central Methodist College, Fayette, MO
• St. Louis University Museum of Art, St. Louis, MO
• Q-Tech Corporation, Los Angeles, CA
• Olin Library Special Collections, Washington University in St. Louis, MO
• Southern Illinois University at Carbondale Student Center, Carbondale, IL
• The Print Club of Albany, Albany, NY
• The University of Dallas, Irving, TX
• Bemidji State University, Bemidji, MN
• Forbo/Krommenie, Amstelveen, Netherlands
• Mills College, Oakland, CA
• Temple University, Philadelphia, PA
• Western Michigan University, Kalamazoo, MI
• University of Wisconsin at Milwaukee, WI
• University of Wisconsin-LaCrosse Special Collections, WI
• Ellis Library Special Collections, University of Missouri-Columbia, MO
• University of Minnesota, St. Paul, MN
• Oberlin College Special Collections, OH

TEACHING

• 1994-1996
• Instructor, Jefferson College, Hillsboro, MO

• 1996-1999
• Instructor, University of Missouri-Columbia, MO

• 1999-present
• Senior Lecturer, Washington University in St. Louis, MO

PRINT PUBLISHING, RESIDENCIES, AND AFFILIATIONS

• Landfall Press, Chicago, IL
• Lawrence Lithography Workshop, Kansas City, KS
• Slugfest Printmaking Workshop, Austin, TX
• Frogmans Press, Vermillion, SD
• White Wings Press, Chicago, IL

COMMUNITY/FIELD SERVICE

• 2006
• University High School Printmaking/Linoleum Cut Workshop, University City, MO
• Community School Linoleum Cut Workshop, Ladue, MO
• Press Release-Charity Auction Curator, Organizer, Center of Creative Arts, St. Louis, MO
• St. Louis Art Museum Docent Lecture, St. Louis Art Museum
• Woodcut and Process, Print Room Public lecture, St Louis Art Museum
• Juror, Through the Looking Glass, Juried Group Show, Art St. Louis, St. Louis, MO

• 2005
• Arts Desire Open Studio, Contemporary Art Museum St. Louis, MO
• Guest Lecturer, “Inspired by Beckmann”, gallery talk concerning the paintings of Max Beckmann, Saint Louis Art Museum

• 2004
• Co-Curator with Todd Hignite and D.B. Dowd, The Rubber Frame: A Timeline of Underground
• Comics, Des Lee Gallery, Washington University School of Art
• Guest Lecturer, “Inspired by Bingham”, gallery talk concerning the paintings of George Caleb Bingham, Saint Louis Art Museum

• 2003
• Curator, “The Outlaws of American Printmaking”, traveling exhibition to Minneapolis, MN, St. Louis, Mo, Austin, TX, New York, NY

• 2001
• Curator with Francesca Consagra (curator of Prints and Drawings), “Ink, Paper, Wood: a History of the Woodcut in St. Louis Collections”, St. Louis Art Museum

• 1999
• Southern Graphics Council Panel Presentation Participant, University of Miami, FL