Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, San Francisco, 2011
Exhibitions/2011/Better a Live Ass Than a Dead Lion

Better a Live Ass Than a Dead Lion

Curated by David Kasprzak
Eli Ridgway Gallery, San Francisco · October 8 – November 5, 2011

Eli Ridgway Gallery is pleased to present Better a Live Ass Than a Dead Lion, a group exhibition of Bay Area artists curated by David Kasprzak, with work by Elisheva Biernoff, Joshua Churchill, Matthew Kennedy, Sean McFarland, Richard Misrach, Dean Smith, and Lindsey White.

The title takes its cue from the Antarctic explorer Sir Ernest Henry Shackleton's unapologetic approach to life as an expedition — and the failure that occasionally accompanies it. Bringing together photography, video, film, and installation, the exhibition builds a narrative around exploration as a creative process: an exploration of the miraculous through constructed landscapes, fictional histories, and the documentation of real journeys.

Works in the exhibitionBy artist · click to enlarge
Elisheva Biernoff
Elisheva Biernoff — Closing Remarks: Glacier National Park
Closing Remarks: Glacier National Park
2010 · Acrylic on plywood · 4.25 × 6 in
Elisheva Biernoff — Closing Remarks: Monte Verde Cloud Forest
Closing Remarks: Monte Verde Cloud Forest
2010 · Acrylic on plywood · 3.5 × 5.5 in
Elisheva Biernoff — Inheritance
Inheritance
2010 · 80 slides projected onto mist; plywood and fabric enclosure · 4 × 6.5 × 2.5 ft
Elisheva Biernoff — Last Letter: George Bass
Last Letter: George Bass
2011 · Acrylic on plywood · 3.25 × 5.75 in
Elisheva Biernoff — Last Postcard: Lillian Alling
Last Postcard: Lillian Alling
2011 · Acrylic on plywood · 3.5 × 5.5 in
Elisheva Biernoff — Long Story Short
Long Story Short
2011 · Screenprinted book · 10 × 13 in · Edition of 5
Elisheva Biernoff — Memento: Sigizmund Levanevsky
Memento: Sigizmund Levanevsky
2011 · Acrylic and oil on plywood, three panels
Elisheva Biernoff — Temporarily Removed
Temporarily Removed
2011 · Acrylic on plywood · 3 × 4 in
Joshua Churchill
Joshua Churchill — Trembling Void
Trembling Void
2011 · Site-specific installation with light and sound
Joshua Churchill — Untitled
Untitled
2011 · HD video · 20 minutes
Matthew Kennedy
Matthew Kennedy — It's Come Down To This
It's Come Down To This
2011 · Video, wood box · 36 × 30 × 30 in
Sean McFarland
Sean McFarland — Archipelago
Archipelago
2008 · Polaroid · 3.25 × 4.25 in · Edition of 1
Sean McFarland — Coastline
Coastline
2011 · Silver gelatin print · 4 × 5 in · Edition of 3
Sean McFarland — Glacier
Glacier
2011 · Silver gelatin print · 4 × 5 in · Edition of 3
Sean McFarland — Mountain Through the Clouds
Mountain Through the Clouds
2011 · Polaroid · 3.25 × 4.25 in · Edition of 3
Sean McFarland — Park Ice
Park Ice
2011 · Silver gelatin print · 3 × 4 in · Edition of 2
Sean McFarland — Untitled (dark sea)
Untitled (dark sea)
2011 · C-print · 30 × 40 in · Edition of 3
Richard Misrach
Richard Misrach — Untitled
Untitled
2009 · Chromogenic print · 45 × 60 in · Edition of 7
Dean Smith
Dean Smith — steganographic memories #2
steganographic memories #2
2011 · Photogravure with chine-collé · Edition of 10
Dean Smith — steganographic memories #4
steganographic memories #4
2011 · Photogravure with chine-collé · Edition of 10
Dean Smith — steganographic memories #6
steganographic memories #6
2011 · Photogravure with chine-collé · Edition of 10
Lindsey White
Lindsey White — Observed in Salvation Mountain, Executed in New Haven, CT
Observed in Salvation Mountain, Executed in New Haven, CT
2011 · C-print · 20 × 24 in · Edition of 5
Lindsey White — Pittsburgh, PA
Pittsburgh, PA
2011 · C-print · 20 × 24 in · Edition of 5
Lindsey White — Death Valley
Death Valley
2011 · C-print · 30 × 40 in · Edition of 5
Installation viewsEli Ridgway Gallery, San Francisco, 2011
Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011 Better a Live Ass Than a Dead Lion — installation view, Eli Ridgway Gallery, 2011
Epigraph
“We had pierced the veneer of outside things. We had suffered, starved, and triumphed, grovelled down yet grasped at glory, grown bigger in the bigness of the whole. We had seen god in his splendours, heard the text that Nature renders. We had reached the naked soul of man.”
Sir Ernest Shackleton · South