James Sterling Pitt — On A Clear Day We Were Lightning — installation view
Exhibitions/James Sterling Pitt

James Sterling Pitt

On A Clear Day We Were Lightning
Eli Ridgway Gallery, San Francisco · November 3 – December 8, 2012

Eli Ridgway Gallery is pleased to present On A Clear Day We Were Lightning, new work by James Sterling Pitt. Conceived to exist as an object-based journal, the works stand as two- and three-dimensional interpretations of fleeting sights and experiences. Pitt aims to make the ephemeral concrete with modestly sized, relational sculpture and drawings. Often coming into being as a series of on-site field sketches, the personified images of sensory events gradually evolve from graphite and watercolor on paper to elaborately constructed wooden models.

The titles of the sculptures pay homage to the variety of encounters and perceptual shifts that occur within a calendared length of time — each individual work orchestrated as one line to a larger score. The title of the exhibition references the literal and conceptual "lightning flashes" that occur in neural activity and the formation of memory.

WorksClick to enlarge
Untitled (Fall Breeze)
Untitled (Fall Breeze)
2012 · Acrylic on wood · 19.5 × 15 × 2.75 in
Untitled (8-31-12 / 9-2-12)
Untitled (8-31-12 / 9-2-12)
2012 · Acrylic on wood · 20.5 × 16 × 2.5 in
Untitled (The Color of the Lake Before the Storm / The Color of the Lake During the Storm)
Untitled (The Color of the Lake Before the Storm / The Color of the Lake During the Storm)
2012 · Acrylic on wood · 20.5 × 15 × 2.5 in
Untitled (It Went Into The Night Like Ether)
Untitled (It Went Into The Night Like Ether)
2012 · Acrylic on wood, wire · 17.25 × 14.5 × 2.5 in
Untitled (Yellow Leaf / Evening Light)
Untitled (Yellow Leaf / Evening Light)
2012 · Acrylic on wood, nylon · 17.5 × 12.75 × 2.5 in
Untitled (For the Tree in the Breeze 8-6-12)
Untitled (For the Tree in the Breeze 8-6-12)
2012 · Acrylic on wood, wire · 19.5 × 14.25 × 2.5 in
Untitled (A Song for Jon and Joe / Ocean Beach)
Untitled (A Song for Jon and Joe / Ocean Beach)
2012 · Acrylic on wood · 16 × 12.5 × 2.5 in
Untitled (Winter Stream / New York)
Untitled (Winter Stream / New York)
2012 · Acrylic on wood, nylon · 17 × 13.5 × 2.5 in
Untitled (Moonlight / Snow)
Untitled (Moonlight / Snow)
2012 · Acrylic on wood · 18.5 × 13.5 × 2.5 in
Untitled (In the Waves at Night)
Untitled (In the Waves at Night)
2012 · Acrylic on wood, wire · 18.5 × 13.5 × 2.5 in
Untitled (On A Clear Day We Were Lightning)
Untitled (On A Clear Day We Were Lightning)
2012 · Acrylic on wood · 17.5 × 12.5 × 2.5 in
Untitled (Micah)
Untitled (Micah)
2012 · Acrylic on wood, nylon · 17.25 × 13.5 × 2.5 in
Untitled (After Four Good Days)
Untitled (After Four Good Days)
2012 · Acrylic on wood · 17 × 12.5 × 2.5 in
Untitled (Los Ojos)
Untitled (Los Ojos)
2012 · Acrylic on wood, wire · 19.5 × 14.5 × 2.5 in
Untitled (Sage / Morning Glow)
Untitled (Sage / Morning Glow)
2012 · Acrylic on wood · 18 × 13.75 × 2.5 in
Untitled (Waking Vision (for Jason))
Untitled (Waking Vision (for Jason))
2012 · Acrylic on wood · 18.5 × 14.5 × 2.5 in
Untitled (Aspens)
Untitled (Aspens)
2012 · Acrylic on wood, wire · 18.25 × 13.75 × 2.5 in
Untitled (Goodnight Song For Waves)
Untitled (Goodnight Song For Waves)
2012 · Acrylic on wood · 17.5 × 14 × 2.5 in
Untitled (“Lightning Bugs”)
Untitled (“Lightning Bugs”)
2012 · Acrylic on wood, wire · 13.25 × 15 × 2.5 in
Untitled (Sky / Sage)
Untitled (Sky / Sage)
2012 · Acrylic on wood · 16 × 12.5 × 2.5 in
Untitled (Buoyancy for K.P.)
Untitled (Buoyancy for K.P.)
2012 · Acrylic on wood · 18 × 15 × 2.5 in
On a Clear Day We Were Lightning (Studio Drawings)
On a Clear Day We Were Lightning (Studio Drawings)
2012 · Graphite, acrylic and watercolor on paper · 31.5 × 61.5 in
Untitled (“Twin Layers of Lightning”)
Untitled (“Twin Layers of Lightning”)
2012 · Acrylic on wood
Untitled (A Song for David and Robert)
Untitled (A Song for David and Robert)
2012 · Acrylic on wood
Untitled (A Vision Before Sleep)
Untitled (A Vision Before Sleep)
2012 · Acrylic on wood
Untitled (Albuquerque)
Untitled (Albuquerque)
2012 · Acrylic on wood
Untitled (Bloom #2 ‘Lucky Cloud’)
Untitled (Bloom #2 ‘Lucky Cloud’)
2012 · Acrylic on wood
Untitled (Dusk “Neverknown”)
Untitled (Dusk “Neverknown”)
2012 · Acrylic on wood
Untitled (For A.M. in the Field)
Untitled (For A.M. in the Field)
2012 · Acrylic on wood
Untitled (Rain / Soil)
Untitled (Rain / Soil)
2012 · Acrylic on wood
Untitled (Shadows Above the Canyon)
Untitled (Shadows Above the Canyon)
2012 · Acrylic on wood
Untitled (Streams / Current / Ice #1)
Untitled (Streams / Current / Ice #1)
2012 · Acrylic on wood
Untitled (Sweet Heart / Sweet Light #1)
Untitled (Sweet Heart / Sweet Light #1)
2012 · Acrylic on wood
Untitled (Zomds / Under the Ocean / Borges’ Return 8-22-12)
Untitled (Zomds / Under the Ocean / Borges’ Return 8-22-12)
2012 · Acrylic on wood
Installation viewsEli Ridgway Gallery, 2012
On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view On A Clear Day We Were Lightning — installation view
Press
"Yet if such models generalize and abstract the world, Pitt's sculptures are unequivocally concrete and specific. Functioning as windows, they offer glimpses of the artist's observations and memories, many of which allude to the New Mexico landscape so familiar to him."
Gwen Allen · Artforum · 2013