Zachary Royer Scholz — Nothing Is Ever Finished, Eli Ridgway Gallery, 2012
Exhibitions/2012/Nothing Is Ever Finished

Nothing Is Ever Finished

Zachary Royer Scholz
San Francisco · May 24 – June 23, 2012

Eli Ridgway Gallery is pleased to present Zachary Royer Scholz' first solo exhibition at the gallery. Scholz makes artworks by reshaping existing objects and situations. His actions do not entirely overwrite previous uses and histories, but extend what is already present into new, unexpected terrains.

For Nothing Is Ever Finished, Scholz has turned his situational and contingent methodology on itself: creating new pieces out of his own previously exhibited artworks. Pieces have been combined, split apart, rearranged, entombed, or erased. The resulting artworks are new iterations rather than definitive endpoints; they remain suggestively open-ended like the intuitive processes that generated them. They may change again, or they may not. More than simply meditations on ephemerality, the new pieces exist as complexly entangled entities whose presence is always partial and predicated by absence — a liminal existence that, like our own, is both informed by and at the expense of its past.

Scholz' previous projects with the gallery include the 2010 hallway project Tape, Paint, Repaint and the project-space solo exhibition Crumple Crumple, earlier this year.

Works in the exhibitionClick to enlarge
243205
243205
2012 · paint, paper · 32 × 24 in (37 × 29 in framed)
243212-A
243212-A
2012 · foam-core, colored pencil, adhesive, plastic · 24 × 32 in
243212-B
243212-B
2012 · foam-core, colored pencil, adhesive, plastic · 24 × 32 in
243212-C
243212-C
2012 · foam-core, colored pencil, adhesive, plastic · 24 × 32 in
30407912
30407912
2012 · rope · 79 × 30 × 40 in
21.552.59312
21.552.59312
2012 · plywood, paint · 52.5 × 93 × 21.5 in
353570.512
353570.512
2012 · wood, spackle, paint · 70.5 × 35 × 35 in
13.25169512
13.25169512
2012 · veneer, paint · 16 (w1), 13.25 (w2) × 95 in
44445012
44445012
2012 · bamboo, paint · 44 × 44 × 50 in
10.510.512-A
10.510.512-A
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-B
10.510.512-B
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-C
10.510.512-C
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-D
10.510.512-D
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-E
10.510.512-E
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-F
10.510.512-F
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-G
10.510.512-G
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-H
10.510.512-H
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-I
10.510.512-I
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-J
10.510.512-J
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-K
10.510.512-K
2012 · plaster, paint, tape · 10.5 × 10.5 in
10.510.512-L
10.510.512-L
2012 · plaster, paint, tape · 10.5 × 10.5 in
22.540.598.512
22.540.598.512
2012 · mirror, upholstery, foam, plywood, wood, paint · 98.5 × 40.5 × 22.5 in
264710312
264710312
2012 · powder-coated steel · 26 × 47 × 103 in
20.520.512
20.520.512
2012 · fir, bubble-wrap, paper, cardboard, glass · 2 panels, 20.5 × 20.5 in each
143275.512
143275.512
2012 · wood, paint · 32 × 75.5 × 14 in
43434312
43434312
2012 · upholstery foam · 43 × 43 × 43 in
7121712
7121712
2012 · velvet, cotton stuffing · variable (17 × 7 × 12 in as exhibited)
13131312
13131312
2012 · upholstery foam · 13 × 13 × 13 in
3.5171912
3.5171912
2012 · Masonite · variable (19 × 3.5 × 17 in as exhibited)
162012-A
162012-A
2012 · veneer · 16 × 20 in
162012-B
162012-B
2012 · veneer · 16 × 20 in
Installation viewsEli Ridgway Gallery, San Francisco
Zachary Royer Scholz — Nothing Is Ever Finished, installation view Zachary Royer Scholz — Nothing Is Ever Finished, installation view
Press
“Split bamboo strips collected from window shades, which once sprayed and curled in an earlier work, have been refashioned into a dome, while lengths of rope that were used in a performative piece have grown a spine in a new figure-eight shape and reach for the sky.”
Kimberly Chun · San Francisco Chronicle · May 2012